Charting a course roughly post WW1 through to the mid-to-late 1930’s, The Harlem Renaissance was a movement which, above all else, demonstrated the stunning creativity of African-Americans despite the plethora of injustices and prejudices they faced, and in spite of a systemic racism – political, social and structural – that seemed committed to establishing a narrative of inherent racial inferiority/superiority. Indeed the literature, music, paintings, sculptures and photography that emerged from Harlem in these decades are a bold affirmation of life, a resounding challenge to the status quo and a showcase of the spirit, talent and artistry of Black America.
In the skateboarding world, they don’t come much more influential than The Gonz. Your favourite skater’s favourite skater, father of the modern street style, perpetually young at heart, constantly pushing boundaries and always, always doing his own thing. For many people, Mark Gonzales personifies the inherent creativity that resides at the heart of skateboarding – not only by skating with a fluid, free and innovative style, but by constantly creating, both on the skateboard and off it.