Time and time again, Adam Curtis has demonstrated an inimitable ability to delve into the heart of an issue – be it the manufactured and simplified story of militant islam as espoused by western powers in Bitter Lake, or the failure to harness the utopian potential of early technology in All Watched Over By Machines of Loving Grace – and sketch out the complex histories, mechanisms and important figures that underpin these particularly postmodern narratives. HyperNormalisation, which was released on BBC iPlayer on Sunday night, is Curtis’ latest attempt to trace the multifaceted malaise that seems to pervade overstimulated life in the 21st century.
If you follow skateboarding with even the most passing of interests, you probably caught Reda’s recent documentary ‘Brian Anderson on Being a Gay Professional Skateboarder’. Even if you don’t particularly follow skateboarding, news of BA’s coming out has clearly transcended the boundaries of the industry with news outlets such as The Guardian, Rolling Stone and the NY Times all reporting on the recent events. Considering the depth of passion that skateboarders have for their culture, the importance and increasing prominence of the LGBTQIA movement, and also the radness of BA and his stellar career, it’s no surprise that the documentary (which you can peep below, for context) has sparked important conversations in skateparks, and skateshops across the globe. It’s no different for us here at THE6BY6, so we’ve decided to throw our six cents out there and reflect on the many reasons why Brian Anderson’s coming out is important for the culture, industry and future of skateboarding.