In the skateboarding world, they don’t come much more influential than The Gonz. Your favourite skater’s favourite skater, father of the modern street style, perpetually young at heart, constantly pushing boundaries and always, always doing his own thing. For many people, Mark Gonzales personifies the inherent creativity that resides at the heart of skateboarding – not only by skating with a fluid, free and innovative style, but by constantly creating, both on the skateboard and off it.
There is an undeniable art in knowing how and when to deploy a long take, and it takes even more skill to execute one effectively. It’s a technique that’s been used by countless directors and cinematographers to build suspense, grab the audience’s attention, maximise the impact of high energy scenes or preserve the intensity of methodical slow-burners. Renowned for being a means to flex some directorial muscle and demonstrate cinematic prowess, long takes have given us some of the most memorable scenes in cinema; from languid, haunting takes by Tarkovsky, to the stylish and buoyant sequences employed by Scorsese.